Category |
Title of Composition |
Description |
Author |
Author's URL |
Date |
Size(KB) |
Music Theory |
la -
|
la - settime |
ale |
|
12 June 2023 17:50 |
351.0 |
Compositions |
Minimal
|
for violin & piano |
Roberto Zini |
|
6 May 2022 10:00 |
933.0 |
Compositions |
Ottima combinazione
|
for piano solo |
Roberto Zini |
|
5 May 2022 17:50 |
1176.0 |
Compositions |
Nettare
|
for string quartet |
Roberto Zini |
|
28 April 2022 13:11 |
655.0 |
Compositions |
Passaggio obbligato
|
for violin solo and piano |
Roberto Zini |
|
27 April 2022 8:55 |
1069.0 |
Compositions |
Fair
|
Bagatella for piano |
Roberto Zini |
|
25 April 2022 14:20 |
596.0 |
Compositions |
Delice
|
Waltz for piano |
Roberto Zini |
|
25 April 2022 14:10 |
807.0 |
Compositions |
hh
|
jjj |
geo |
od |
21 August 2021 7:30 |
485.0 |
Compositions |
george
|
practice |
odongo |
george |
21 August 2021 4:14 |
437.0 |
Compositions |
new song
|
new piece of music |
Joe nguyen |
|
13 July 2019 9:34 |
415.0 |
Compositions |
Vlij mi olja
|
Pesem spremenjena iz osnove |
INE |
|
25 November 2018 10:04 |
996.0 |
Compositions |
BA^^^
|
BBBB |
RB |
|
5 January 2018 15:28 |
656.0 |
Compositions |
Lord My Evil Deeds (138)
|
chorale From Bach |
Robert Adame Beltran |
|
30 December 2017 23:48 |
394.0 |
Music Theory |
bach 138 lord my evil deeds
|
unusual breaking of many rules |
js bach |
|
28 December 2017 22:30 |
626.0 |
Music Theory |
Belt-Bach 164 12-21-17
|
Tweaking the final cadence |
RB and Bach |
|
21 December 2017 18:30 |
801.0 |
Music Theory |
bach-belt 164 12-21-17
|
final CF and harmonizing |
RB (from Bach 164) |
|
21 December 2017 18:19 |
794.0 |
Music Theory |
Bach’s 164 12 20-17
|
continuing CF harmonization |
Belt-Bach |
|
21 December 2017 12:51 |
810.0 |
Music Theory |
164 Bach-Belt 12-17-17
|
continuing cantus firmus and harmonization |
Rb & js Bach |
|
18 December 2017 1:12 |
736.0 |
Music Theory |
Bach 164
|
himself |
js bach |
|
17 December 2017 1:51 |
622.0 |
Music Theory |
bach-belt
|
continue cantus firme harmonizing from 164 |
rb |
|
16 December 2017 19:31 |
565.0 |
Music Theory |
belt- bach 164 (12-15-170
|
more on cantus firmus harmonization |
rb |
|
16 December 2017 12:06 |
573.0 |
Music Theory |
beltran-bach
|
choosingcantus firmus to chord progression to distribution of notes for each voice within the chords. |
RB |
|
15 December 2017 16:51 |
573.0 |
Music Theory |
164 12-14-17
|
changing cantus firmus |
belt-bach |
|
14 December 2017 20:05 |
418.0 |
Music Theory |
bach 164
|
cantus firmus through different voices |
Bach-beltran |
|
8 December 2017 23:23 |
420.0 |
Compositions |
The Night Our Saviour Was Betrayed#21
|
Chorale 10-15-17 |
Robert Adame Beltran |
|
15 October 2017 18:36 |
704.0 |
Compositions |
the night our #21
|
chorale 10-14-17 |
r.beltran |
|
15 October 2017 1:32 |
592.0 |
Compositions |
21 the night our saviour etc. 10-10-17
|
chorale |
rb |
|
10 October 2017 23:54 |
578.0 |
Compositions |
#21 The Night our Saviour etc.
|
Chorale: new understanding! |
Robert Beltran |
|
10 October 2017 12:57 |
341.0 |
Compositions |
the night etc.
|
10-8-17 |
rb |
|
9 October 2017 0:59 |
277.0 |
Compositions |
the night our saviour etc.
|
chorale |
rbeltran |
|
9 October 2017 0:56 |
277.0 |
Music Theory |
changing c f
|
10-7-17 |
rb |
|
7 October 2017 13:31 |
272.0 |
Music Theory |
10-6-17
|
cantus firmus changing |
rb |
|
7 October 2017 0:42 |
260.0 |
Music Theory |
changing CF
|
10-6-17 |
rb |
|
7 October 2017 0:36 |
260.0 |
Music Theory |
changing cantus firmus
|
10-2-17 |
rb |
|
2 October 2017 9:56 |
262.0 |
Music Theory |
changing cantus firmus
|
shift to different voices |
rb |
|
1 October 2017 13:45 |
263.0 |
Music Theory |
jesu mmeine freude
|
study |
bach |
|
20 September 2017 19:21 |
447.0 |
Compositions |
the night our saviour etc.
|
chorale9-11-17 |
robert beltran |
|
11 September 2017 20:18 |
279.0 |
Compositions |
the night our savior was betrayed 9-9-17
|
chorale |
robert beltran |
|
10 September 2017 3:17 |
282.0 |
Fragments |
Harmonska vezba u C duru
|
Mala vezba |
nc |
|
9 September 2017 13:26 |
396.0 |
Compositions |
9-6-17
|
instrumental |
r. beltran |
|
7 September 2017 0:57 |
430.0 |
Music Theory |
fux 2 wholes, one the CF against 2 halfs
|
setting CF in whole tones against another voice in whole tones andagainst two halfs per whole tone. |
RB |
|
17 April 2017 17:05 |
286.0 |
Music Theory |
fux 2 halfs (wholes) against 2 quarters
|
3 part:2 whole notes with middle voice as C.F. set against 2 halfs
using halfs and quarter notes |
RB |
|
17 April 2017 16:36 |
294.0 |
Music Theory |
fux exercize
|
fourth species counter point
Cantus Firmus in upper voice |
rb |
|
12 April 2017 22:40 |
521.0 |
Music Theory |
fux counterpoint
|
cf in upper voice/ counter in lower |
rb |
|
11 April 2017 14:50 |
281.0 |
Music Theory |
fux counter exercize
|
counterpoint / cf in lower voice |
rb |
|
11 April 2017 14:17 |
307.0 |
Music Theory |
Cadences
|
Sequence of all musical cadences |
ComposerOnline |
|
4 February 2017 14:18 |
556.0 |
Music Theory |
bach 21 analyses 1-2-17
|
when jesus christ at night |
js bach |
|
2 January 2017 23:44 |
658.0 |
Music Theory |
bach #21 !-1- 17
|
When Jesus Christ at night |
js bach |
|
1 January 2017 22:37 |
674.0 |
Music Theory |
Forgot (12-23-16 revised)
|
something |
rab |
|
23 December 2016 12:52 |
265.0 |
Compositions |
12-21-16 (10:21 am)
|
Mariela instrumental |
RAB |
|
21 December 2016 12:22 |
562.0 |
Compositions |
mar 12-20-16 (12:40)pm
|
Mariela or string quartet |
RAB |
|
20 December 2016 14:40 |
520.0 |
Compositions |
12-19-16
|
mariela cont. |
robert beltran |
|
19 December 2016 13:49 |
416.0 |
Compositions |
12-18-16 later that day
|
mariela or something else |
rabeltran |
|
18 December 2016 20:13 |
388.0 |
Compositions |
12-18-16
|
Mariela |
r.beltran |
|
18 December 2016 18:47 |
410.0 |
Compositions |
mariela
|
11-29-16 |
rabeltran |
|
29 November 2016 22:43 |
408.0 |
Music Theory |
9.1.6
|
9.1.6 |
Music In Theory and Practice |
|
17 November 2016 8:41 |
171.0 |
Compositions |
mariela cont.
|
nov. 16 |
rbeltran |
|
16 November 2016 18:52 |
353.0 |
Compositions |
Versetto
|
Alleluja |
Roberto Santi |
|
10 October 2016 15:44 |
482.0 |
Compositions |
mariela 10 4 16
|
prologue |
rab |
|
4 October 2016 18:03 |
172.0 |
Compositions |
bflat cont.
|
continuation |
rab |
|
16 July 2016 2:58 |
270.0 |
Compositions |
bflat 7-12-16
|
instrumental cantabile |
robert adame beltran |
|
12 July 2016 14:55 |
215.0 |
Compositions |
cminor continuation
|
clean up 6 29 16 |
rab |
|
30 June 2016 3:29 |
322.0 |
Compositions |
KA KYERE JESUS
|
sing with hope |
Nana Yaw Owusu-Achiaw |
@talentedmusicproduction |
24 June 2016 21:03 |
473.0 |
Music Theory |
same as below
|
with piano revised 5-22-16 |
rab |
|
23 May 2016 3:25 |
290.0 |
Compositions |
bach 185 bonn 5-14 16
|
chorale |
rb |
|
13 May 2016 19:16 |
767.0 |
Compositions |
185 may 13 2016
|
chorale |
robert beltran |
|
13 May 2016 16:15 |
769.0 |
Compositions |
Umbrella
|
Rap section |
terius nash |
|
10 May 2016 14:59 |
348.0 |
Music Theory |
schubert
|
psalm 23 |
franz schu. |
|
23 April 2016 2:53 |
344.0 |
Fragments |
16 compases
|
ejercicio |
luis prieto |
|
14 April 2016 1:32 |
502.0 |
Compositions |
185 cont.
|
4pt. comp |
rb |
|
3 April 2016 18:11 |
470.0 |
Music Theory |
instrumental (w/o piano) cont. 3-27-16
|
composing w/o piano and with |
rab |
|
28 March 2016 3:40 |
289.0 |
Music Theory |
composing with piano
|
w/out piano sucked so i had to fix it |
rab |
|
26 March 2016 20:52 |
270.0 |
Music Theory |
without piano
|
instr. composition not using piano a la ludwig |
rab |
|
25 March 2016 15:47 |
238.0 |
Music Theory |
w/out piano
|
instrumental 3-23-16 |
rab |
|
23 March 2016 11:33 |
222.0 |
Music Theory |
composing w/out piano
|
instrumental |
RAB |
|
22 March 2016 0:37 |
255.0 |
Music Theory |
bach 19
|
analysis |
js bach |
|
14 March 2016 10:45 |
393.0 |
Music Theory |
chord progression revised 3-13-16
|
still trying |
rab |
|
13 March 2016 23:26 |
274.0 |
Compositions |
easy
|
chords |
Cisco |
|
13 March 2016 18:13 |
373.0 |
Fragments |
hendel decaro
|
decaro |
beppe |
|
10 March 2016 15:00 |
2184.0 |
Music Theory |
chord progression experiment
|
creating chords and intervals that grow in tension -within the rules tension |
rab |
|
9 March 2016 1:07 |
277.0 |
Compositions |
185 cont. a few minutes later
|
refinement |
rab |
|
7 March 2016 11:06 |
340.0 |
Compositions |
185 cont. 3-7-16
|
refining |
rab |
|
7 March 2016 11:00 |
330.0 |
Music Theory |
bach 21
|
analysis from 4th bar |
jsbach |
|
7 March 2016 10:40 |
296.0 |
Compositions |
march 4 2016 11:24pm
|
bach 185 |
rabeltran |
|
5 March 2016 2:24 |
322.0 |
Compositions |
3-4-16revised
|
bach 185 |
robert beltran |
|
5 March 2016 2:15 |
323.0 |
Compositions |
3-4-16
|
4pt. chorale |
rabeltran |
|
4 March 2016 16:40 |
326.0 |
Compositions |
bach 185 2-29-16
|
4 pt chorale |
r.beltran |
|
1 March 2016 2:03 |
323.0 |
Music Theory |
ave verum 2-24-16
|
mozart study |
mozart |
|
25 February 2016 1:08 |
672.0 |
Music Theory |
mozart ave verum 2-23-16
|
study |
mozart |
|
24 February 2016 0:15 |
376.0 |
Compositions |
185 jes by thy cross 2-17-16
|
4 pt. chorus |
robert adame beltran |
|
19 February 2016 1:55 |
214.0 |
Compositions |
#185 2-17-16
|
4 pt. chorus |
robert adame beltran |
|
19 February 2016 1:43 |
207.0 |
Music Theory |
Dorian b2 Scale
|
This is found on the 2nd degree of the melodic minor scale. |
ComposeOnline |
www.musictheorycentral.com |
26 January 2016 19:55 |
659.0 |
Compositions |
1-24-16
|
Dm |
robert beltran |
|
25 January 2016 1:31 |
275.0 |
Compositions |
same as before
|
inst. |
r.beltran |
|
15 January 2016 2:21 |
294.0 |
Compositions |
death yieldeth
|
hymn |
JDHaydel |
|
9 December 2015 14:31 |
156.0 |
Compositions |
I Live to praise your name
|
Vocal harmonies |
Dwayne Edwards |
|
9 November 2015 1:29 |
489.0 |
Compositions |
tragic adagio
|
Dm first draft |
robert beltran |
|
23 September 2015 2:53 |
296.0 |
Fragments |
Pythagoras Exercise 010
|
Use of the scale derived from the superposition of C7b5 and Ddim7 |
ComposerOnline |
See YouTube |
11 August 2015 17:54 |
187.0 |
Fragments |
Pythagoras Exercise 009
|
Alternating 2 inversions of Am7 with 2 inversions of Bdim7 |
ComposerOnline |
See YouTube |
11 August 2015 17:25 |
389.0 |
Compositions |
Magic Moments
|
Just the first 8 bars |
Burt Bacharach |
|
17 July 2015 11:07 |
727.0 |
Fragments |
Pythagoras Exercise 008
|
'Appoggiaturas' of the Soprano and Tenor in a chord ascending the major scale. |
ComposerOnline |
See YouTube |
8 July 2015 18:49 |
516.0 |
Fragments |
Pythagoras Exercise 007
|
Use a "long-short" voice movement on bVI - bII (i.e. the "tritone minor"). |
ComposerOnline |
See YouTube |
7 July 2015 19:16 |
258.0 |
Fragments |
Pythagoras Exercise 006
|
Use "short-long" voicings and a passing dim7 chord to enrich m7. |
ComposerOnline |
See YouTube |
6 July 2015 19:15 |
179.0 |
Fragments |
Pythagoras Exercise 005
|
Using 'appoggiaturas' from above and below to enrich a chord. |
Composer Online |
See YouTube |
5 July 2015 16:15 |
589.0 |
Fragments |
Pythagoras Exercise 004
|
Changing the register of a chord by using inversions. |
ComposerOnline |
See YouTube |
2 July 2015 11:43 |
297.0 |
Fragments |
Pythagoras Exercise 003
|
m7 (drop2) chord moving down maj scale (add b6), with whole tone appoggiatura before dim7 chord. |
ComposerOnline |
See YouTube |
1 July 2015 16:37 |
280.0 |
Fragments |
Pythagoras Exercise 002
|
m7 chord (drop 2) played up major scale (add b6), with Tenor and Alto shifted up one step on each down-beat, and resolving on up-beat. |
ComposerOnline |
See YouTube |
30 June 2015 14:24 |
342.0 |
Fragments |
Pythagoras Exercise 001
|
Cycling around the inversions of I - ii - iii |
ComposerOnline |
See YouTube |
29 June 2015 19:30 |
366.0 |
Compositions |
have pity lord 5-12-15
|
4 part chorale |
rab |
|
12 May 2015 4:17 |
765.0 |
Compositions |
have pity lord
|
4 part chorale |
rab |
|
11 May 2015 3:43 |
771.0 |
Compositions |
weeping woman
|
prelude |
rab |
|
8 May 2015 3:29 |
236.0 |
Music Theory |
weeping woman exp.
|
theory |
rab |
|
7 May 2015 2:18 |
240.0 |
Compositions |
bach 185
|
185 dm feb 2 15 |
rabeltran |
|
3 February 2015 1:07 |
304.0 |
Compositions |
bach 185 dm
|
bach 185 |
robert beltran |
|
1 February 2015 3:14 |
309.0 |
Compositions |
my 185 Dm
|
bach 185 |
robert beltran |
|
31 January 2015 19:19 |
197.0 |
Compositions |
bach 185
|
jesus thou my soul |
js bach |
|
30 January 2015 1:43 |
383.0 |
Compositions |
instrumental continued
|
instrumental |
r adame |
|
24 January 2015 3:02 |
329.0 |
Compositions |
instrumental
|
instrumental |
robert adame |
|
20 January 2015 2:41 |
203.0 |
Compositions |
bach 185 jesus thou my soul
|
bach study |
bach |
|
19 January 2015 3:18 |
216.0 |
Compositions |
strict classical
|
satb |
rabeltran |
|
19 January 2015 2:11 |
420.0 |
Compositions |
lord i love thee
|
satb |
rabeltran |
|
18 January 2015 23:16 |
173.0 |
Compositions |
2 bars cm
|
strict classical |
ra beltran |
|
18 January 2015 18:47 |
272.0 |
Compositions |
lord i love thee with all my heart
|
chorale |
robert adame beltran |
|
17 January 2015 4:01 |
175.0 |
Music Theory |
cadential 6-4
|
cadential 6-4 |
ali |
|
26 November 2014 20:33 |
165.0 |
Music Theory |
By Him Were All Things Created (part 1)
|
This is the start of a reworking of Gisela's version |
Robert |
|
7 August 2014 11:26 |
908.0 |
Compositions |
ByHimWereAllThingsCreatedModernVersion
|
Chorale |
Gisela Breitahaupt |
|
3 August 2014 22:20 |
5683.0 |
Compositions |
By Him Were All Things Created
|
Chorale |
Gisela Breithaupt |
|
13 July 2014 4:07 |
2699.0 |
Music Theory |
thythm changes
|
I,vi,ii,V,I - rhythm changes |
Gershwin
|
|
8 June 2014 1:01 |
1675.0 |
Compositions |
BAS Hymn
|
BAS Hymn |
BAS Hymn |
BAS Hymn |
26 April 2014 21:35 |
431.0 |
Compositions |
BAS Hymn
|
BAS Hymn |
Bing Layug |
Bing Layug |
26 April 2014 12:06 |
508.0 |
Compositions |
Essai3
|
Harmonie3 |
Erickjo |
|
23 February 2014 9:09 |
832.0 |
Compositions |
Essai3
|
Harmonie3 |
Erickjo |
|
23 February 2014 9:07 |
832.0 |
Compositions |
Essai2
|
Harm1 |
Erickjo |
|
22 February 2014 13:44 |
771.0 |
Compositions |
Essai1
|
Melodie1 |
Erickjo |
|
22 February 2014 7:19 |
705.0 |
Compositions |
Armonie DO
|
Armonie DO |
Sebi |
|
1 December 2013 10:57 |
449.0 |
Fragments |
TVPOEJO
|
STUDY |
JHPS |
JHPS |
10 September 2013 16:53 |
146.0 |
Compositions |
better try [Shenandoah]
|
Intro to song |
GB |
|
27 August 2013 22:29 |
211.0 |
Music Theory |
training
|
Trail |
Gb |
|
23 August 2013 1:35 |
282.0 |
Music Theory |
Tune
|
Learning |
Gordon Brown |
|
22 August 2013 21:19 |
162.0 |
Fragments |
myTry02
|
x |
lant |
|
12 August 2013 3:18 |
189.0 |
Compositions |
myTry
|
4 voices |
lant |
|
3 August 2013 2:15 |
313.0 |
Fragments |
45
|
4 |
4 |
4 |
16 June 2013 4:57 |
111.0 |
Fragments |
Appoggiaturas (sample 1)
|
How to apply 2 appoggiaturas to 7 four-note voicings |
TheMusicTeacher |
|
9 April 2013 9:35 |
369.0 |
Fragments |
4 part voicings (sample 1)
|
Two ways of voicing a maj 6 chord, with appoggiaturas |
TheMusicTeacher |
|
8 April 2013 18:55 |
234.0 |
Music Theory |
C to G
|
modulation |
me |
|
28 March 2013 23:51 |
444.0 |
Compositions |
Follia 193
|
Vivaldi |
Zoccolillo |
|
15 February 2013 7:51 |
3177.0 |
Fragments |
test
|
test |
ben rivers |
|
7 December 2012 21:20 |
164.0 |
Fragments |
RadioIntro
|
hi |
xFireFlame12x |
|
8 September 2012 8:14 |
318.0 |
Fragments |
RadioIntro
|
Hi |
xFireFlame12x |
|
8 September 2012 8:03 |
318.0 |
Compositions |
f
|
f |
f |
f |
6 June 2012 1:58 |
731.0 |
Compositions |
chjhj
|
jh |
jm |
jh |
28 May 2012 10:04 |
261.0 |
Compositions |
esercizio 24 maggio
|
continuazione |
napoli |
|
24 May 2012 6:01 |
1435.0 |
Compositions |
EJ
|
Composition |
Ej |
|
17 May 2012 4:47 |
597.0 |
Compositions |
Julia D
|
Composition |
Julia D |
|
16 May 2012 14:17 |
599.0 |
Compositions |
JD
|
Composition |
JD |
|
16 May 2012 14:14 |
605.0 |
Compositions |
JD
|
Composition |
JD |
|
16 May 2012 14:07 |
605.0 |
Music Theory |
Inversion Compostion
|
Swag |
Me |
|
8 May 2012 2:11 |
360.0 |
Fragments |
school song
|
halfway |
sheena |
|
12 April 2012 14:16 |
1378.0 |
Compositions |
Bai Ca Sao
|
Sao Tua |
Pham Duy |
|
23 January 2012 9:37 |
1173.0 |
Fragments |
aaa
|
aaa |
aaa |
|
19 October 2011 13:33 |
732.0 |
Music Theory |
a
|
14 12 2010
|
a |
a |
14 December 2010 18:54 |
480.0 |
Compositions |
Ombra e Luce
|
A tango-like tune composed by Renzo Nissim in 1933. |
Renzo Nissim |
www.renzonissim.com |
7 December 2008 23:05 |
3626.0 |
Compositions |
Sott’ ’ a Cennere
|
Music by Renzo Nissim, words by V. De Crescenzio, copyrighted in 1961. |
Renzo Nissim/V. De Crescenzio |
www.renzonissim.com |
2 December 2008 13:17 |
2010.0 |
Music Theory |
Chords Built On Scales (part I)
|
All four-note chords found on following scales: C major, C harmonic minor, C melodic minor, C harmonic minor (with major 3rd). |
Musanalyst |
N/A |
2 November 2008 11:14 |
1177.0 |
Compositions |
Lullaby In Rhythm
|
Co-signed by pianist Clarence Profit, arranger Edgar Sampson, lyricist Walter Hirsch and bandleader Benny Goodman, anectdotal evidence places authorship of "A" section with pianist Renzo Nissim. |
To be clarified |
www.renzonissim.com |
1 November 2008 13:26 |
3325.0 |
Compositions |
Chorale BWV n.7
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There is an interesting ambiguity between the key of Em and Bm. Also note the spicy double appoggiatura in bar 3. |
J.S.Bach |
www.jsbchorales.net |
19 October 2008 12:06 |
1263.0 |
Compositions |
The End of the End
|
I composed this tune in 1991. It has a "Latin 6/8" feel and also has a lyric (available on request). The original version also has a Samba-type interlude (not included here). |
Robert A. Nissim |
|
29 September 2008 12:38 |
3257.0 |
Compositions |
Take It Easy
|
A bright 'smooth jazz' style tune, with a Latin beat. |
Robert A. Nissim |
|
28 September 2008 13:31 |
2808.0 |
Fragments |
Chromatic Exercise on: I - ii7 - V7
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This exercise shows how to use 'appoggiaturas' between chords in a I - ii7 - V7 sequence. |
Boccadoro |
N/A |
25 September 2008 7:03 |
275.0 |
Compositions |
All My Hope In God Is Founded
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b. 1892, d. 1983 |
Herbert Howells |
|
24 September 2008 19:12 |
731.0 |